CNBLUE: Dreaming of the World’s Street Corners
This is where this band of four fresh faced young men started out in early 2009. On the streets of Japan, braving the falling temperatures of the harsh winter, having to live like renegades on the run. CNBLUE
started at rock bottom with just a basic grasp of the language, little
money in their pockets, no hand-phones, and no family around them, all
they had was each other and their music. Their company FNC
was trying a new formula, sending them to Japan to train not just as
rookies but as nobodies. To prepare them for an official debut but were
unsure whether to have them start out as an indie band in Japan or wait a
few months more to break through to the Korean market as a band in
their homeland. In the meantime, they held impromptu jam sessions at
train stations, singing covers of popular artists’ songs, while quietly
working on their own compositions and patiently waiting for their turn
to shine. Their street tours in Japan gave them the experience and
confidence they needed and helped to build a solid fan-base there. They
used their natural musical talents and visual appeal to their advantage,
thus enabling them to begin as indie artists in what was a foreign
country to them. Now feeling empowered to co-create their own music
alongside some of Japan’s greatest composers, CNBLUE started their
journey.
During their time in Japan, their company
finally decided to debut CNBLUE as an indie band. They made their
formal debut with their English language first mini album, ‘Now or Never’ on August 19, 2009. Subsequently, on November 25, 2009, the band released their second mini album titled simply, ‘Voice’.
Both albums failed to make an impact on the music charts and sales
counts, but they helped to put the band on the map and people were
beginning to take note. CNBLUE promoted their new music by booking
performances in live clubs and continuing to hold their street lives
whenever the weather allowed for it.
Breaking down the walls they faced in
Japan was only the beginning; they needed to start making a name for
themselves at home in Korea as well. So, with their management company
at the helm of the idol-drama ‘You’re Beautiful’, their guitarist and lead vocalist Jung Yong Hwa, was selected to play the handsome yet awkward, Kang Shin Woo
and would make his acting debut in the role. While the drama did not
garner the remarkable viewership ratings anticipated by execs, the
international response to the drama’s premise, along with the undeniable
chemistry shared between the cast which included Hallyu star Jang Keun Suk, Park Shin Hye and FTISLAND vocalist Lee Hong Ki,
(all members of the fictional band A.N.JELL) facilitated in catapulting
Yong Hwa’s popularity to higher than expected numbers which was
essential for CNBLUE’s status. This new public awareness was positive
for the band as it was crucial for them to have some recognition in
Korea that can pave their way for a local debut. With this new-found
fame, the existing band member’s title roles needed to be put in place
within CNBLUE. The role of the band leader was transferred from Lee Jong Hyun to Jung Yong Hwa not long before their debut was set to take place in Korea. Lee Jung Shin then stepped into the role of the new bassist as the replacement for their original bassist, Kwon Kwang Jin. These
changes should’ve been enough for any new band just starting out to
cave under pressure, but this was not the case for CNBLUE. At their
very core, all these men really desired was to play music that would
reach and captivate as many listeners as possible. While they work hard
and strive to ultimately fill stadiums all over the world, these humble
musicians would be just as content to perform on as many street corners
they could play on; if that was the only way they could do what they
love, perform.
The highly anticipated official music video for the unforgettable title track, ‘I’m a Loner’ was later released just before the launch of their debut Korean mini album, titled, ‘Bluetory’ on January 14th, 2010
which quickly took the number one spot on the MNET real time charts,
along with the second spot on the Hanteo Music Charts. CNBLUE were the
only rookie group to do so in 2010. Other songs featured on the album
were Korean versions of their previous Japanese releases. It wasn’t long
after their initial taste of success that the public, including
celebrities, equally began to take notice of the new rookie band taking
the industry by storm. At first, the band was compared to Korean band FTISLAND,
who happen to be label mates to CNBLUE. The public would soon start to
discern CNBLUE’s music as distinctive, considered as being of same
caliber as alternative rock bands such as Maroon 5, yet also appealing
and honest like alternative pop artist, Jason Mraz.
A few months after they ended their
promotions for their debut Korean album ‘I’m a Loner’, CNBLUE released
their follow up mini album ‘Blue Love’, which was the
first to feature original Korean works by the band and not just
revisions of their previous Japanese tracks. The album introduced
members’ original compositions and lyrics including Jung Yong Hwa’s ‘Love Light’ and ‘Tattoo’ and Kang Min Hyuk’s co-written lyrics for ‘Sweet Holiday’.
The unique CNBLUE sound, especially the exceptional combination of
both Lee Jong Hyun’s baritone voice and Yong Hwa’s husky lead vocals,
was soon celebrated by music enthusiasts and critics and helped to
develop CNBLUE musical color.

After ‘Blue Love’s’ release, CNBLUE successfully extended their impact
onto the international market by embarking on their first regional tour
‘Listen to the CNBLUE Asia Tour’. At the same time, they focused on
their Japanese activities in order to reassure Japanese fans that they
wouldn’t forget about the audience who first enabled them to live out
their dreams of making music. Experiencing warm responses everywhere
they went, CNBLUE began to officially ride the Hallyu wave and finally
became international Rock stars as an idol band.
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